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Joseph Green
One Night on Bainbridge Island It Can Be Anything One Night on Bainbridge Island After the reception, I fell in with the others leaving by the gravel path across Bloedel's estate. It was already dark, but someone asked me if I'd seen the meditation garden there, the boulders in raked sand. I said, yes, I thought it looked like a pond where rocks had been dropped and the ripples caught before they could spread across the water. Then everyone was quiet for a while, and I took their silence to be a reflection of the image I had made -- perfect surface held in that passing instant when its disturbance first begins -- and it pleased me to imagine I could capture their thoughts like that until someone else said the sand and boulders filled the swimming pool where Theodore Roethke died. The air was cool and still, and I could feel the gravel crunching beneath my feet and hear the others' footsteps as they walked. No one spoke again until we reached the parking lot, where we said good-bye and got our cars unlocked. It Can Be Anything What you see in David Hockney's pools is the water, rarely the light reflected from it on a window or wall. Even when light throws a net over it, the reticulated water moves while the world around it holds still -- a boxy California house; a ridiculous, spindly palm; a diving board, rigid as a plank under a flat blue sky; or the painter himself, tilting forward in his peach blazer and white slacks, his expensive loafers, stiffly contemplating the man who swims toward him underwater. Or else there's a splash, the moment when someone disappears and what you see is the water leaping as if it were receiving a gift. I have no idea what Hockney intended. The problem is always the water because it can be anything or nothing, like air contained where he painted it, the abstract in the concrete, the feeling in the hole in the ground, the water filling it the way it surely rises in a grave after the spectators have all gone away. Have I ever told you why I left Los Angeles? Joseph Green lives in Longview, Washington, and teaches at Lower Columbia College. He is the recipient of PEN Northwest's Margery Davis Boyden Wilderness Writing Residency for the year 2000. A collection of his poems, Deluxe Motel, is available from The Signpost Press. |