caffeine destiny
spring 2008
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Éireann Lorsung
Multi-colinearity
Each winter the migration of birds.
The criss-cross walking of crabs, whole
of Christmas Island, how behind them
in the sand they leave the pattern of every body they know.
What we know is, we don't know
everything.
You'd like to order what you see, prove
it, align facts. Mean. It's the great circle
routes across the Atlantic,
how only on islands like these
is it so obvious the sky goes
around the earth. And sphere
of streetlight meaning moon.
And the inside of the body
strains at its tight edges out, to what
might one day cause it pain—
Hundreds of birds I never knew the names for
are gone now, will no more
follow one another in V-wedges
or stumble, charmingly, into cold ocean.
One day you'll wake up
in a single bed and remember watching a yellow
tree between the muntin bars, against grey sky
very like today's.
Every year until it's over
the birds will fly south, crabs will scuttle
ten thousand body-lengths
with only hope, memory, to guide them.
We are all saying
here is this breakable body of mine
Oh world we didn't know until just now—
Harvest
In half daylight my sisters and I went out to harvest the bodies of men
those fragile things
their skin the color of paper cinnamon polished light
and dark wood marks
on their shoulders from vaccinations
marks in their hearts where children
grew or girls they loved lived
once
Like other crops we cultivated
many varieties
the hair of some was golden-orange as corn silk
All the bodies of the men were crying out
in silence to be touched
there in the grey fog of morning
slender knuckles
and hair on the instep of the feet
the fields of the world are a cathedral
of love waiting to happen
Novice
All absence creates is longing. Therefore between bells
I linger. I taste
what keeps with wind through
stones. Here are a hundred sisters who cannot
be enough: routine
is tonic, perfect
shift from sound to silence to sound but the fruit
of the tree is knowing
outside the clouds are moving,
the water is moving, hands
are moving across bodies
never mine. I can smell
those hands.
Renaissance
It is the ridged roofing, tin and rust, gutter running
end to end, how sound ripples over it; a longing.
Rays from behind clouds, a prism, everything
I am is breaking open into light. What wings
there are in the world, take flight. Nothing
more than this (nothing more than this), being
between red brick and granite, radio towers' distant sighing:
although this is autumn, almost a spring.
Smooth stone, fox
MJM
There was one smooth stone he could not stop turning over in his hands
There were mottled marks on the stone
and it rang in small sharp tones with mica
Where her hands had been was the stone
and the water the stone came from
In the night he was walking through blocks of rowhouses
and the fox ran between houses, out of his sight
The fox watching the walking man
The stone's invisible, insensible eye
The man, turning only his own thoughts, so like a human
Light from streetlamps, closed shop windows' rough glow
the night smelled like uprooted lavendar
Everywhere he walked the fox was following
Across the parking lot its white breast
Its padding feet, stranger
than a cat's movement, its swayful tail
If the fox were gone it would be only the misplaceable stone and the man in the world
Éireann Lorsung was born in Minneapolis, Minnesota, where she also did her undergraduate and Master's degrees. She now lives in the Midlands of England, where she is studying for a Ph.D. Her first book, Music for Landing Planes By, was released by Milkweed Editions in spring 2007;a second is forthcoming. Other poems can be found in Crab Creek Review and Prairie Schooner.
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